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And, yet, it quite arguably stands as the greatest horror film of the 21st century. It exploits them and creates monsters out of their unconquerable nature. But Lynch can often feel different in his conjuration of fear, presenting instead the idea that existence in itself is all the nightmare we really need. Diane then hallucinates that the object of her affection is stood right in front of her, in the middle of her grimy apartment. But what can we even trust here, in this so-called new reality?
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Everything you were afraid to ask about "Mulholland Drive" | ashantychocolate.com
By the age of 34, Mexican-American actress Laura Harring had almost entirely abandoned her hopes of making it as a Hollywood star. She had parted ways with her movie agent and thrown herself into music and theatre instead. But that all changed in January of , two months before her 35th birthday, when she received a phone call saying that David Lynch had seen her photograph and wanted to meet her to talk about a part in his next project, a television series called Mulholland Drive. Intuition confirmed, both women were cast, thus setting the wheels in motion for their speedy ascent to movie stardom. On film, his worlds resonate with artfully crafted unease; they are places where nothing can be taken for granted, where no answers are easily obtained, where a monstrous face or decaying corpse could appear to scare the living daylights out of you at any turn.
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Blue Is the Warmest Colour , a three-hour French film about two women who fall in love, is leaping from the art house to the mainstream as it arrives in UK cinemas this weekend. Step outside of the controversy, however, and what's left is a love story that's both tender and utterly heart-shattering. With Blue Is the Warmest Colour back in the headlines, Digital Spy takes a look at five other big screen offerings that caused a similar stir The Hunger Tony Scott shot his first movie like a hyper-stylised music video, and though it might not be his best work, this tale of hedonistic vampires features bucket loads of striking imagery.
Laura Harring and Naomi Watts were the stars. A car crash survivor stumbles into Hollywood with a blue key, a bag of money, and a blank memory. Among the mysteries are a clumsy assassin, Billy Ray as a pool cleaner, and some kind of garbage monster. Not the executives at ABC who cancelled the project, blaming the unusual tempo, the incomprehensible storylines and everything else they should have expected from Lynch. Much of that discarded footage remains in the Mulholland Drive we know today; a studio stepped in and, thankfully, it was expanded into a standalone feature.
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